French photographer Nicolas Régnier is turning his lens on the "Ville de Demain" programme, documenting how urban planning shapes the people who live inside it.
As cities across France rethink their public spaces through the "Ville de Demain" programme, one photographer is turning the visual documentation of urban transformation into art.
As cities rethink their future, one photographer's work inside France's "Ville de Demain" programme raises urgent questions about who gets to picture urban transformation, and how.
As cities worldwide grapple with long-term urban transformation, a growing conversation is emerging around how visual culture, and photographers in particular, can shape the way we picture the future of our built environment.
As "Ville de Demain" initiatives reshape how cities are documented and imagined, the work of photographers like Nicolas Régnier offers a grounded look at what these programs actually produce on the ground.
As "Ville de Demain" programmes reshape French urban landscapes, photographers and visual artists face a defining question: who gets to document, and define, the cities being built around us?
A closer look at how the "Ville de Demain" programme is drawing photographers and visual artists into conversations about what our cities might look like next.
How urban photography programs like "Ville de Demain" are giving photographers a framework to document the cities being built around us.
On the particular kind of intimacy, and the particular kind of patience, that comes from photographing one place for a very long time.
What happens when a photographer turns the camera inward, not toward the self-portrait, but toward the accumulated evidence of a life spent looking.